Your Pathway To Fretboard Fluency
The Back to Basics System

A step-by-step course designed to help intermediate guitarists finally connect the dots and break out of the plateau for good.

The Donut Doctor teaching guitar
🎪 75+ Video Lessons
📚 7 Core Modules
📄 PDFs & Diagrams
♾ Lifetime Access
✓ One-Time Payment ✓ Instant Access ✓ 14-Day Money-Back Guarantee
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🎓 Trusted by 11,700+ Guitarists
⭐ 96% Report Greater Fretboard Freedom
🎵 Grammy-Nominated, Berklee-Trained Instructor
What You'll Learn

A system that connects everything

If the fretboard feels like a bunch of random shapes and ideas, you're not alone. This system connects everything so it finally makes sense.

The Anchor Technique A powerful positioning system that eliminates guesswork and saves you hours of wasted practice.
The Pentatonic Triad System Connect your triads directly to scale shapes so every solo sounds melodic and intentional — not accidental.
Scales Across the Entire Neck Stop being boxed in. You'll see and use scales in every position, across every string set.
7th Chords & Inversions Add depth and color to your playing with chord voicings and inversions that work in any musical context.
Arpeggios & Chord Tone Soloing Outline the harmony underneath your solos so every note you play sounds musical and intentional.
Guided Call-and-Response Training Apply every concept in a real musical context by jamming along with me.
The Donut Doctor teaching guitar
Sound Familiar?

Most guitar players get stuck here.

  • You know some scales, chords, and licks but can't connect them across the neck
  • You can play songs but don't fully understand what you're doing on the fretboard
  • You freeze up when it's time to solo
  • You feel stuck in the same patterns, playing the same licks over and over
  • You stop mid-song to figure out a chord or scale, and it breaks the flow every time

Back to Basics fixes that with a clear system used by thousands of guitar students. This is not a talent issue… it's a fundamentals issue.

As Seen On

As seen on Jimmy Kimmel, Today Show, Tonight Show, Late Late Show, Good Morning America
The Fix

The Back to Basics System

Instead of random lessons and scattered YouTube videos, this course gives you a step-by-step system that teaches you how the fretboard actually works.

You'll learn how "The Core 5" (triads, scales, arpeggios, 7th chords and inversions) connect — so you can move anywhere on the neck with confidence, solo with intention, and finally understand what you're playing and why.

Each lesson focuses on musical application so you can actually use what you learn right away.

Call and response play alongs with me — we jam together until you get it right!

This is the course that turns "I kind of know this" into real, fluent fretboard mastery.

Why I Built This

I Was a "Good" Guitarist Who Was Secretly Lost.

For years, I thought I was a pretty solid guitarist. I could play songs, I could improvise, and I had a bunch of cool licks under my fingers. Then I went to Berklee. The first time I sat down to play with serious musicians, something became painfully obvious: I was lost. Everyone around me seemed light years ahead. They understood the fretboard in a way I didn't. They moved through harmony effortlessly while I was scrambling to keep up.

The "Lick" Trap — Instead of fixing the real problem, I did what most guitarists do: I chased more licks. More patterns. More "hacks." Sound familiar? I was trying to build a skyscraper on a foundation of sand. The truth was simple: I didn't really know the fretboard — I just knew shapes. I didn't understand what I was playing; I just knew what sounded "good enough."

The Turning Point — I realized the only way forward was to go back. I started practicing the "unsexy" things: triads, inversions, and the core mechanics of the instrument. At the time, it felt embarrassing. I remember thinking, "Why am I practicing basic triads while everyone else is playing circles around me?" But then, something clicked. The fretboard stopped looking like random patterns and started feeling like a system. My soloing became intentional. My rhythm playing got deeper. I could finally hear the music before I played it.

"Once I put my head down and worked on my foundation, everything else became easy."

That journey led to what I now call The Core 5 — the five fundamental building blocks that make the entire instrument make sense. Back To Basics is the course I wish I had years ago. No gimmicks — just the real foundation that makes everything else finally connect.

— The Donut Doctor

The Real Problem

Why YouTube tutorials, random lessons, and "shortcut" courses keep you stuck

You've probably already tried a lot of things. And some of them were probably good. So why are you still plateaued? Because most guitar content — even the great stuff — is missing a system.

❌ YouTube Tutorials

Great for learning individual concepts — terrible for building a connected foundation. You end up with a pile of unrelated ideas and no map for how they fit together.

❌ "Learn 10 Licks in 10 Minutes" Courses

Fun in the moment, forgotten in a week. If you don't understand why a lick works, you can't apply it, adapt it, or build on it. It just becomes more stuff to forget.

❌ Endless Scale Shapes & Patterns

Memorizing boxes and "cages" might help you survive a solo, but it doesn't help you hear the music. Without real application, these concepts just become another "warm-up" shape that gathers dust while your playing stays stuck.

❌ Private Lessons Without a Roadmap

A good teacher is invaluable — but many lessons jump between whatever you bring in that week, never building toward a clear destination. Progress feels random because it is.

✅ What Actually Works

A deliberate, step-by-step system that teaches fundamentals on the guitar, in the right order, with jam sessions so you can immediately hear and feel the difference. That's exactly what Back To Basics is built to do.

Toured with Jung Kook, Sam Smith, Fletcher and more
The Full Curriculum

75+ lessons across 7 modules

Click any module to see exactly what's inside. Every lesson is designed to build on the last.

  • ▶Major Triad Inversions — The Anchor Technique8:24
  • ▶The Pentatonic Triad System11:04Preview
  • ▶Call and Response — Guided Jam10:15
  • ▶Call and Response — No Talking, Just Jamming6:25
  • ▶Pentatonic Triad System — Rhythm Guitar6:33
  • ▶Pentatonic Triad System — Key of E14:10
  • ▶Triad Inversions — Bottom Strings1:58
  • ▶Horizontal Triad Movement1:50
  • ▶Spread Triads8:45
  • ▶Spread Triads Applied — Creating Rhythm Parts5:02
  • ▶Major Triad Arpeggios9:08
  • ▶Copy + Paste Arpeggios — A Visual Approach3:51
  • ▶Voice Leading — Your New Superpower7:19
  • ▶Voice Leading Applied8:19
  • ▶Etude No. 14:00
  • ▶Side Quest: How To Find Any Triad Interval1:49
  • ▶Triad Shortcut — Generate Any Triad2:06
  • ▶Triad Practice Tips1:26
  • ▶Triad Exercise — Mix and Match!2:35
  • ▶Exercise: Where's Waldo?1:53
  • ▶Arpeggio Shortcut — Generate Any Arpeggio1:59
  • ▶Spread Triads — Interval Awareness1:48
  • ▶Daily Exercise — Spread Triads1:43
  • ▶Warm Up — Spread Fingerings2:17
  • ▶Exercise — Voice Leading Challenge4:41
  • ▶Call and Response — Key of E (Guided)6:38
  • ▶Call and Response — Key of E (Just Jamming)4:43
  • ▶Pentatonic Triad System — Key of E (Rhythm Guitar)3:25
  • ▶How To Practice eBookPDF
  • ▶The Major Scale — A Simple Approach7:54
  • ▶3x3 Scale Formula11:04
  • ▶Call and Response — Guided7:05
  • ▶Call and Response — No Talking, Just Jamming3:47
  • ▶Deja Vu Fingerings3:30
  • ▶How To Generate ANY Scale2:42
  • ▶Scale Exercise — Mix and Match!2:48
  • ▶The Pentatonic Jazz Scale6:57Preview
  • ▶Call and Response — Pentatonic Jazz (Guided)6:02
  • ▶Call and Response — Pentatonic Jazz (Just Jamming)3:57
  • ▶The Pentatonic Jazz Scale — Rhythm Guitar3:57
  • ▶7th Chord Voicings — E and A String Roots9:53
  • ▶Diminished 7th Chord Application14:06
  • ▶Min7(b5) Chord Application8:35
  • ▶7th Chord Inversions13:52
  • ▶7th Chord Inversions — The Anchor Technique10:54
  • ▶The Neighborhood Technique5:47
  • ▶7th Chord Jam — Rhythm Guitar11:19
  • ▶Chromatics in Rhythm Guitar5:01
  • ▶Shell Voicings5:39
  • ▶On The Hunt — Intervals1:57
  • ▶7th Chord Arpeggios — E and A String Roots6:20
  • ▶Identifying Intervals — Generate Any Arpeggio2:33
  • ▶The Pentatonic Arpeggio Blueprint6:27
  • ▶The Chromatic Approach Technique6:22
  • ▶Call and Response — Pentatonic Arpeggio Blueprint (Guided)8:03
  • ▶Call and Response — Pentatonic Arpeggio Blueprint (Just Jamming)6:39
  • ▶Adding Color — 2-Note Per String Arpeggios9:47
  • ▶Copy + Paste Arpeggios — 3 Octaves3:35
  • ▶Arpeggios Extended3:28
  • ▶Chord Tone Soloing15:59
  • ▶Call and Response — Chord Tone Soloing (Guided)8:28
  • ▶Call and Response — Chord Tone Soloing (Just Jamming)5:19
  • ▶Daily Exercise For Mastery1:11
  • ▶Reading the Staff and Treble Clef7:50
  • ▶The Major Scale8:07
  • ▶Circle of 5ths + Key Signatures13:04
  • ▶All About Intervals15:51
  • ▶Triads11:23
  • ▶Diatonic Triads and Chord Functions10:59
  • ▶7th Chord Hierarchy1:52
  • ▶Dozens of guided call and response jam sessions — apply new concepts in real time
  • ▶"No Talking, Just Jamming" Playalongs — pure musical application
  • ▶Integrated across every module so concepts stick through real music
  • 📄Downloadable PDFs & Fretboard Diagrams for every module
  • 📖"How To Practice" eBook — eliminate wasted practice time
  • 🎓Music Theory 101 Course — master the basics of theory
Your Breakthrough Is One Decision Away

Stop noodling. Start playing with freedom.

Join 11,700+ guitarists already learning with me who have finally closed the gap — and unlocked the fretboard fluency, musical confidence, and creative freedom they always knew was possible.

Back To Basics: The Complete System

Over $850 in value

$199

One-time payment · or pay in installments

  • 75+ video lessons across 7 modules
  • Triads, Anchor Technique & Pentatonic Triad System
  • Arpeggios & Chord Tone Soloing Framework
  • 7th Chords, Inversions & Major Scale Systems
  • Guided play-along jam sessions throughout
  • Downloadable PDFs, Jam Tracks & Fretboard Diagrams
  • "How To Practice" eBook
  • Music Theory 101 (Bonus Course)
  • Lifetime access — it's yours forever
  • Free course updates
Yes — I'm Ready to Enroll

14-day money-back guarantee · Instant access · Secure checkout

🛡

14-Day Money-Back Guarantee

Try it completely risk-free. If you're not 100% satisfied within 14 days, simply email support@thedonutdoctormusic.com and you'll get a full refund — no questions asked, no hassle.

Your Instructor
The Donut Doctor

The Donut Doctor

A Los Angeles-based guitarist and educator with a degree in Jazz Guitar Performance from Berklee College of Music (graduated Magna Cum Laude), The Donut Doctor has taught thousands of students worldwide and led masterclasses at colleges and universities. His teaching bridges the gap between technical fundamentals and real-world musicality — helping intermediate players finally break through the plateau for good.

As a Grammy-nominated guitarist, he has toured with Jung Kook (BTS), Sam Smith, and Fletcher, performed on stages from Madison Square Garden to Coachella, and appeared on Jimmy Kimmel, Jimmy Fallon, GMA, and more. He brings that professional experience into every single lesson.

🎓 Berklee — Magna Cum Laude 🏆 Grammy Nominated 🏆 20+ Years Teaching 🏆 Thousands of Students 🌍 250k+ Followers 🎵 MSG & Coachella 🎸 Fender · Taylor · PRS Endorsed
Common Questions

Frequently asked questions

This course is designed for intermediate guitarists — players who know basic chords and can play songs, but feel stuck when it comes to deeper fretboard knowledge, soloing, or improvising. If you've been playing 1–5 years and hit a wall, this is exactly where you need to be. Complete beginners may find some concepts move too fast.

Forever. You get lifetime access from the moment you enroll. Go at your own pace, revisit any lesson as many times as you need, and come back anytime. The course will always be there.

No. The Music Theory 101 module is included to build the foundation you need — covering everything from reading notation to intervals, triads, and chord functions.

You're protected by a 14-Day Money-Back Guarantee. If it's not the right fit, email support@thedonutdoctormusic.com within 14 days and you'll get a full refund — no questions asked.

The concepts — triads, arpeggios, 7th chords, scales, and inversions — are universal and apply to any genre: rock, pop, jazz, blues, R&B, folk, and beyond. The Donut Doctor draws from a diverse rock/jazz background but teaches in a way that translates to any and all styles.

Yes! A payment plan is available at checkout. You get full immediate access either way. Check the checkout page for current installment options.

Enroll Today

Back to Basics: The Complete System

75+ lessons designed to give you total fretboard fluency. One investment. Lifetime access.

I'm Ready To Level Up

$199 · One-time payment · Lifetime access · 14-Day money-back guarantee

Not quite ready for the full system?

Start with the Back to Basics
Boot Camp — 100% Free.

Think of this as your pre-flight training. Before you dive into the deep end, I want to give you the foundation for free. This 6-part video series is a sampler of my teaching style — designed to help you rebuild your mechanics from the ground up and see if the full Complete System is right for you.

🎸
The Core Mechanics A deep dive into Triads, Scales, and Arpeggios — the building blocks of everything.
🅱
Fretboard Fluency An intro to 7th Chords and Inversions so the neck starts making sense.
▶
Real Application Stop memorizing shapes and start playing creatively — right away.
"The Boot Camp is the exact prerequisite you need to see if the full Complete System is right for you." — The Donut Doctor
Join the Free Boot Camp

No credit card required. Just grab your guitar and go.

What Players Are Saying

Real comments from YouTube

Scroll to read more ↓

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@isaiahmarquez971728 minutes ago
Same with me! I was learning triads when you came across with your anchor technique. You cut my learning time in half. Now I anchor everything I do.
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@kyle_13412 hours ago
I have the full course and love it! You're a fantastic teacher and break things down in a fun way
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@swissanthony5 days ago
The penny hads dropped and I’m eternally grateful 👍👏👏👏. I know my CAGED shapes and linking them to this lesson gives me the missing piece……Thank you Sir😎
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@howellbuzz4 days ago
I'm a guitar player, singer and performer for 43 years. The triad outlines in this lesson - and playing within "limitations" is what separates a 'wanking' wannabe guitar hero from a player with taste, behind a singer, as you serve the song. And that simple thing and learning how to play to the song will get you the gig over Mr. McSpeedy licks, every time. Excellent lesson. Thank you.
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@Charlesbme884 days ago (edited)
This is a great video; thank you for putting these out there. I've played guitar since I was 15 but never learned to *play guitar*, so I'm finding these extremely helpful. 3:20, the part about imposing limitations, instantly reminded me of a book I read recently called Inside The Box: How Constraints Make Us Better by David Epstein. I'm sure you'd like it if you haven't already read it. The idea has applications everywhere, but as you described it's incredibly useful in creative endeavors like playing guitar.
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@ArtDonna845 days ago (edited)
i received this from my Worship Pastor who is a fairly gifted guitarist though he will say not. Fantastic video and I learned a lot actually. I'm good with my triads and caged inversions up and down on the major minor shapes, but not so on the suspended, etc. That said, I did not know how to use the pentatonic patterns, more importantly, which one(s). I did see that when you when to the "B" that I could use pentatonic pattern two which obviously puts me outside the "E" major pentatonic box, but hey it worked for me. I'll be checking out your website and course to see if it's what I'm looking for to get where I want to/need to be for the Worship team. Thank you
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@scottjones66247 days ago
Oh this was REALLY clear and linear. It strikes me that a good limitation to start would be simply to choose one chord rather than a progression and toggle back and forth between the triad notes and the pentatonic scale until that triad shape and its notes become just second nature and effortless. Then build slowly with another chord from there.
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@phil-o-phobic86089 months ago
I love how every time I come across your videos, you’re literally summarizing what I’ve been working on recently 😂. I’ve been working on this system for the past few months, but this week I feel like I’ve had a breakthrough in seeing the triads of the parent major scale around whatever chord progression I’m playing to, and connecting that roadmap to my internal voice. It feels like I’ve opened the suitcase in Pulp Fiction, but it’s abundantly clear that this is a ton of power to wield irresponsibly (lol). For the first time I feel like I have too many choices for where my melodic ideas can go. It’s cool seeing how the melodies in my head look on the guitar within the context of the triad system, and further breaking those triads down to create endless ideas. I feel like I’m finally on the path to honing how I play rather than stumbling over what to play. As always, thanks for the right-on-time lesson!
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@scottjones66249 months ago
TOUCHDOWN!!!!!! What a fabulous video. I have watched tons of videos on this subject and this is the FIRST ONE I have found that started literally at the beginning and extremely systematically and linearly without skipping any steps, laid out the concept, the theory, the advancing steps (one by one building on the previous), and the practice paradigm with permission to take your time with limitations. Masterful. This example of step by step teaching in my experience is soooo rare. I am so appreciative of what you have made here and now know this is the first step towards adding non-chord pentatonic tones to the triads once I have the triads down pat. I am hoping in the future you have exactly the same style video to take that next step (but of course I totally get it that I should not go there until I have what is in this video mastered). So exciting to see the clear path ahead and that it is not magic, because you gave us the map. Just awesome.
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@mattmoore57313 months ago
this is BONKERS!!! I was just recently starting to play around with triads instead of full chord shapes, and I knew the (a-shape triad) major and the (e-shape) major triad, but I had not worked out how to understand the minors with any kind of linkage. THIS was exactly what I was trying to work out in my own head!!!!! Now I can understand that the 4 and 5 are right below, and the 2 and 3 are right above the root!!!!! JUST WOW!!!!!
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@vedantmojo9 months ago
this video is so helpful to me because I was stuck for a really long time, I finally found a good teacher and actually understood this time, thank you🫶🏻
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@SamuraiMullet9 months ago
This is kind of blowing my mind. Been playing for 20 years and this is bonkers. hahahaha thanks for showing me the holes in my playing :D
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@stevewilson79158 months ago
Absolutely great lesson. I have just graduated up to this level in the last 4 or 5 years. It's so much fun and a great feeling when the penny drops and you realize that you have unlocked something that gives you the freedom to use more than cowboy chords. It's also opening more options for playing lead. Thanks so much for sharing. I'm sure you are helping a lot more people enjoy playing the guitar. Cheers ❤️
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@shipley_music8 months ago
Dude, you are one the best teachers i have ever seen. Straight to the point without any filler, and yet there is plenty of context. Your approach is super friendly and just pleasant to watch and play along with. Hell of a good job man, thanks for the video
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@KMGWorryFree3 months ago
Really enjoyed this lesson. So basic. So simple. Restricting the triad choices to the same 3 strings throughout is teaching me to look at these popular chord progressions in a new light. Yep! The light bulb is on! Thank you! Liked and subscribed 🕉️
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@KookamungaCardiff9 months ago
I just want to say thank you. I have let rip with the pentatonic for 30 years and can easily go up and down the neck. I've always been frustrated that I didn't know how to add a jazz flavour when it felt right. I am self taught and have no music theory. Your video has literally opened the door for me. Really appreciate it.
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@CliffGraham9 months ago
Not gonna lie- this is probably the first hooky titled guitar shortcut video THAT actually LIVES UP TO THE HYPE. Its super easy, it works, and it sounds good. I'm gonna file it in my brain as the "smear up" hack!
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@ShimmyBricks9 months ago
Quickly becoming my favourite youtube guitar teacher... feel like you're targeting my intermediate plateau audience with REAL progress lessons
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@pedroalexandria8 months ago
The most valuable guitar lesson I’ve ever had. You have no idea how this video unlocked my playing and changed the way I see jazz from now on. Thanks 🙏🏻
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@jmillsish9 months ago
Mind blown. This instantly changed my playing and really breathed some new life into it. Awesome lesson.
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@robertgiese3017 months ago
What a great NEW concept to add to my soloing. I picked up on it very quickly. Just kind of letting it flow and weaving it in and out of the scale structure is really fun and enjoyable. At age 68 I guess you CAN teach an old dog new tricks. Thanks SO much!!!
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@MrFrykman9 months ago (edited)
Okay, this is, by FAR, the best guitar lesson I’ve watched on YouTube in a lonnnnnng time, LOL! I’ve been a Guitar Teacher for the last 20 years of my career (I’m 60), and I pride myself in making the lesson as simple, clear, concise, and easy to understand as possible… You’ve not only done this fabulously, but you’ve also presented it in an incredibly clear, professional manner… Love the simultaneous overhead shot as well! Definitely clicked “Like”, and now I’m gonna click “Subscribe”… Don’t mind if I borrow this concept, okay? 👊🏻😅 (Seriously, I’m gonna forward this to some of my students, right away!) 🙏🏻
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@MJsap139 months ago
Nicholas…… you have a gift. There have been only a few times in my guitar playing journey where I’ve had a true 💡 moment…. This is one of them. Thank you 🙏
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@jamtheory21309 months ago
Okay, let’s talk about this. All of us hobby guitarists know what our weaknesses are (every box across the fretboard, every mode, and doing numbers 1 and 2 as the chord progression changes). Conceptually, I know all of this. Frankly, I don’t have the time to master all of those elements to step into a true advanced guitar player. But THIS!? This is a beautiful, bite sized technique that I can implement in likely a few solid weeks of practice. The gap from intermediate guitarist to advanced guitarist can sometimes feel like an insurmountable chasm. This feels like a solid rope bridge to easily get me a little closer to my goals as a musician.
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@davidlofts77389 months ago
I’m 66 and use all the ‘jazz’ modes, melodic minors & bebop scale, using enclosures & target notes. So I already do all of this anyway… This takes the pentatonic very close to both Dorian and Mixolydian - and with the approach notes in both directions you’re ’kind of’ getting into the chromatic scale. But the simplicity of this lesson 🤯 - mind blown. That doesn’t happen very often at my age!!! I may be 66 but every day’s still a school day. New subscriber here!
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@SurvivalistGardener4 months ago
Wow. 50 years of playing guitar and I never really knew this, or the fundamentals behind it. By using bar chords and showing how the triads fall out of them you made learning this easy! Thank you!
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@Stephen-zx4uf3 weeks ago
You explained this really really well! I wish that I could’ve run across this video or this lesson from you 20 years ago 30 years ago.. I eventually figured it out out of necessity 5 to 10 years ago, and it was a long slow process. I do not teach a lot of students, but when I do, this is often an area where they have a hard time letting go of wanting to play six strings for every chord. Anyhow, your presentation is truly fantastic! It makes so much sense and is easy to follow. I subscribed and will send future students or friends over to listen to the way that you explain it (much better than my explanations). Thanks again for a great video and contribution to the wonderful world of joy and playing guitar!
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@MasterMojo852 months ago
This was such a great tip. Keeping it simple. Switching between different triads of the same chord in the same string set, while playing the chord is really the key. I always tried to master all string sets at once and always failed. Now it sounds really good and groovy. Also using some variation with your right hand is an eye opener. I always focused too much on my left hand and all the different possibilities and completely forgot to groove. Fantastic lesson. Thank you!
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@chrisrader85474 months ago
This is excellent information. It was a bit of a revelation to me to learn about just playing the top three strings of a chord. I know that probably sounds silly, but so many books and courses teach you to play as if you’re going to be the only instrument playing a given song (where large chord shapes would naturally apply) and the idea of ‘stepping on another band member’s toes’ by hitting their same notes with your chords is not often discussed. So I appreciate your reinforcement of this concept. Rhythm guitar can add texture, tone, and character to a song, but it seldom has to carry the entire load all by itself. Thanks for this.
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@joelizon88884 months ago
Just subscribed having watched only this one video. You are explaining exactly what I've been practicing for the last several months. Like you said, I already knew it but it's just a simple profound way of seeing and applying it. I have a feeling your other videos will be just as helpful.
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@merkazoidduff76514 months ago
How to teach CAGED without saying CAGED. I like the advice, I get so bogged down crushing full barre chords and need to remind myself to simplify, especially in a band environment. I've been practicing triads lately, but forgot about it the past couple weeks spending all my time learning new songs. This inspires me to rotate triad exercises back in.
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@tugbaekmekciler79104 months ago
Woa it opens a window on my mind about guitar playing… I am new on playing guitar and never thought like that… thnx…
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@phil-o-phobic86081 year ago
Look, I’m not saying any YouTuber has ever been influenced by anything I’ve ever done. That being said, it’s surreal how many creators have been uploading vids about the triad/pentatonic relationship over the past few weeks. I’ve been studying triads for a few months (15 years late, but I’ve digressed), and earlier this month I finally started combining what I call the 3 triad zones/shapes with CAGED and the breakthrough has been incredible. You’re absolutely right; once I started seeing triads across the fretboard, my playing became noticeably more melodic and fluid, and I don’t get lost as quickly as I used to because I have more tools to keep me on track. I can see a clear pathway to how studying great players and songs will only improve my sensibilities. I feel like I’ll be able to hone my style more diligently rather than worrying about losing track of where I am/can go. Thanks for your videos, they land in my feed right when I need them and help me expand on what I’m already practicing. Keep feeding these YouTube streets! (pun intended 🍩)
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@soyounoat28141 year ago
This is by far the cleanest explanation and demonstration I have seen on the subject. In my case, it showed me that I was partially using the triads, but partially stuck in the pentatonic thinking. A+ video from a great teacher.
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@skieryou652911 months ago
This was great stuff! Triads have brought me further in 6 months than "scale practice" approachs. I've been taking the chord shapes and finding the triads within those shapes... primarily the A and E shape bar chords, them making a chord "ring" in a different octave position on the FB.I dont know all the triad inversions and My next goal was to find the triads in the C, D and G shapes and learn the inversions verbatim. Subscribed! And appreciate the free practice track.
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@ehsanhaq1551 year ago
Amazing piece of musical knowledge. Been playing 20 years without any formal education into the guitar. And all those three note shapes I conjured up by default is making total sense now.
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@D513951611 months ago
Absolutely awesome brother. You explained the missing link I needed to take that next step in my playing. Thank you!!!
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@anastasiyaana62704 months ago
Thanks god for YouTube algorithms for putting such a useful video in may feed. Finally I understand how it works with pentatonic scale etc. Really relay good explanation!
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@DavidYarber1 year ago
Dang! I've found gold! You are a great teacher if you can teach me something and you just did!
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@indytreedog9 months ago
Wow. So happy I came across your video! Yea I’ve been caught in a rut and feel’s like every time I pick up a guitar I start playing the same old repetitious common licks. Your video inspired me to go outside what I know and venture into some of what I thought would be to difficult and time consuming to learn. My wife just came into the room where I’m playing and asked if that was me playing along lol. Love it! Thanks for the knowledge.
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@-grey10 months ago
Oh my god. I was doing this intuitively but did not understand it. Thanks for outlining this is an intelligent and understandable way. I really need to get into theory more than noodling. ✌️
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@aliegemengok241010 months ago
Theoretically ı knew that ı had to to what you said , but pratically i didin’t know how to be able to hit the chord tones . Thanks for showing the way man it all made sense , cheers 🙏🏻🤘🏻
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@onenotesolo25610 months ago
This is brilliant. Lots of videos cover learning the triads but don’t do a great job of showing how to then add the ‘extra’ notes from the pentatonic scale so clearly, or in such a musical way. They tend to jump from triads/inversions/CAGED to then more complex so long very without explaining exactly where the rest of the notes are coming from specifically. Even converting it immediately to the relative minor. It would be great to see this video with a minor key song where you flip immediately into a major scale mindset and build the solo that way e.g. Am song but you are thinking in C major. Bravo and thank you.
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@Magnet549 months ago
First visit to your channel. This lesson is awesome! Probably the best explanation I’ve seen regarding soloing over a chord progression. Tying triad notes within a scale pattern for soloing is “gold.” Thank you!
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@jornada_sem_limites10 months ago
OMG! I was so stuck till I see this. Man, that was a great lesson. Amazing. Thanks for that! You got a new sub and a new fan! thanks man
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@vin997610 months ago
Just do what he did there and work those local triads to the “dummy box” wrapped around that E string minor. You can do a zillion set lists running just that stuff and can bail out into chords local to that position as well. Just my opinion as a hack guitarist but I do play Sundays in a worship band often and I’ll get a 5-6 song set list with about 2 days to play and I’ve gotta run lead stuff unique at times. This kind of localized stuff relates to triads is a godsend. It’s too quick and easy and it transposes instantly with the Nashville number system (knowing your 1,4,5,6m,2m,3m basics). Then when you’ve gotta improvise infront of a couple hundred people just because the lead dude randomly gives you the nod…well this helps with that and takes about 15mins to learn assuming you know your basic triads and number system.